The black satin-brushed dial is partly skeletonized to reveal the internal workings of the watch. However, because they’re fairly chunky, telling that the timing isn’t overly difficult, but legibility is not ideal. That being said, this isn’t actually a piece where the hands will be the focus. The running moments hand to the chronograph is bright yellow to give contrast against the black dial.Finally, the respective moment markers and the markers for the 30-minute chronograph in 3 o’clock are left in yellow and white to offer maximum contrast and legibility. The 30-minute counter at 3 o’clock can be unique because it shows the elapsed minutes using a retrograde indicator. And lastly, at six o’clock is the tourbillon.The motion is where the magic all occurs. It is obviously in-house, and it is the calibre 2937. And like all high-end chronograph movements, it’s a column-wheel and lateral clutch.What’s unusual about it, though, is its two gongs. Rather than mounting the gongs to the movement plate, they are attached to what Audemars Piguet Most Expensive Watches Replica requires for a “sound board.” Essentially, it’s a thin membrane made from a special aluminum alloy which covers the back of the movement, held in place with screws, along with forming a water-tight seal. This clarifies how the Royal Oak Concept Supersonnerie Tourbillon Chronograph watch can acquire a water-resistance score of 20 meters, which might not sound like much to some casual observer, but that couldn’t be more erroneous. The 20 meters is actually rather impressive considering the intricate structure of the watch.
As we start awaiting 2018’s SIHH novelties, we thought it high time to have a better look at some of the season’s favorites, including the gloriously over-the-top 15202, rendered for the very first time as a contemporary, non-limited reference completely from 18-carat yellow gold. It is not merely the all-gold situation that lends the 15202 significance though — there are a couple additional (albeit more subtle) visual cues that set this particular reference aside, and might make it more desirable for collectors in the future. Perhaps most obvious, is the simple time plus date-only dial configuration, done by the ‘AP’ emblem at 6:00, which pays direct homage to the initial steel 5402 published in 1972. This aesthetic also tips its hat towards the yellowish gold 5402BA Jumbo introduced five years later — the first time Audemars Piguet rendered the Jumbo inside this valuable metal.However, more notable is that the thickness — the brand new 15202 steps a hair over 8mm, 0.2mm thicker than the original 5402, and the closest we’ve seen to people pioneering ultra-thin measurements because the 40th Anniversary editions from 2012 — thus the ‘Extra Thin’ naming convention. This new-but-really-old profile, coupled with all the eminently wearable 39mm case size really feels like the sweet spot for the Royal Oak, and has much to do with why this iconic layout was able to develop into this kind of future-proof classic in the first place.The Jumbo Royal Oak in its most classic arrangement is a wristwatch that historically, by all measurements, should wear exceptionally thin. People who are searching for a slightly more toned-down aesthetic still rendered in this precious metal will appreciate the next of those 15202’s two brand new dial variants: a stunning blue, and this, given the spate of blue-on-bronze sports watches we have seen this year, is as much on-trend, as it’s slightly less ostentatious.
Now, the “best” for Audemars Piguet signifies their attempting to create the most crisp and clear sound of any minute repeater. The brand points into three accomplishments demonstrated in this watch, which I will briefly run through. To begin with, the unique preparation of the steel used to create the gong structure makes it possible for the watchmakers to accurately and easily adjust and hone the pitch, tone, and stability of this second repeater. Secondly, the method by which the situation is constructed reduces sound absorption and maximizes amplification. I’ll discuss this “soundboard” procedure a bit in the future. Last, the striking regulator is redesigned so that the anchor system acts like a shock absorber, minimizing shock noise.One of the most important constituents of a minute repeater watch is the situation since it is responsible for broadening the noise. It’s often said that gold would be the ideal material for the job as it generates a richer sound, but the Audemars Piguet Royal Oak Concept Supersonnerie Tourbillon Chronograph watch opts for titanium. Titanium is a really light and strong alloy, and its low density enables sound to pass through with less resistance. If you have any doubts about this, you only have to check at exotic supercars and their titanium exhausts. Titanium can also be used everywhere around the watch to enhance the quality of the noise, but more on this later.The utilization of titanium also suggests that despite the watch’s sizable measurements, in 44mm wide and 16.5mm thick, it stays light and comfy to wear. And thanks to its aesthetic, the case design instantly identifies the opinion as a Royal Oak Concept and nothing else.It goes without saying that the instance is finished to an impeccably large standard with contrasting finishing. The bezel has mirror polished borders and includes a satin-brushed complete on the surface, which matches the exposed polished 18k white gold screw heads. The situation has been sandblasted and has a matte finish that juxtaposes very well with the shinier bezel. The large crown and chronograph pushers have been made from ceramic.
Three new models are being added into the Millenary collection at SIHH next month, together with smaller instances and much more sparkle than ever. The Millenary is among three collections from Audemars Piguet that contain ladies’ watches, but basically, it is by far the most female-centric of their complete collections within the brand. The Royal Oak and the Royal Oak Offshore equally have ladies’ versions, but they started as, and therefore are known chiefly as men’s collections. The jewelry sets are limited-edition one-offs, not created for everyday wear or pocketbooks. Gem-setting is a specific strength of this collection identifying the watches in the sportier Royal Oak and Royal Oak Offshore ladies’ pieces. At precisely the same time, a partially openworked dial provides the Millenary a specialized aspect — a reminder that it comes from one of the foremost makers of mechanical movements. The Millenary, last upgraded in 2015, will be refreshed with three new models at SIHH following month in Geneva, including two all-gold versions set with diamonds and a single gold instance variant with a strap.The instance on the strap version has a “frosted gold” finish that gives it the appearance of hand-finished jewelry. Frosted gold is a collaboration between Audemars Piguet and Florentine jewelry designer Carolina Bucci, using a technique called the Florentine technique. It’s created by employing a diamond-tipped tool to make tiny indentations throughout the surface, culminating in a shimmering sparkle, like snow. The finish was released last year around the ladies’ Royal Oak. On the Millenary, it is used between polished segments on the stepped bezel and lugs, as well as to regions of the case side. The signature counter tops sub-dials that record hours, minutes, and seconds are all set with opal, a fresh dial substance for this group. Audemars Piguet also adds a style watch component to the strap variant. It’s offered in several colours and textures, including rubber, alligator, fabric, or velvet, and a choice of blue, grey, red, pink, light green, or purple.
The Audemars Piguet Royal Oak is maybe one of the most famous watches available now, and contrary to other watches of comparable fame such as the Omega Speedmaster or Rolex Submariner, its basic design also enjoys considerable flexibility in terms of complications. From straightforward time-only versions to more complicated offerings, there are many tastes of Royal Oak available, and also the Audemars Piguet Royal Oak Tourbillon Chronograph Openworked Material Good watch is one of the more complicated examples.As an aside, and possibly it’s just me, but it seems like brands actually need to work on keeping watch names to a manageable span. Getting back into the watch accessible, this particular Audemars Piguet Royal Oak was developed in cooperation with all Material Good — a New York-based luxury retailer. As the title clearly indicates, encased inside the Gerald Genta-designed instance is an openworked movement using a tourbillon and a chronograph complication.The Audemars Piguet Royal Oak Tourbillon Chronograph is powered with the grade 2936, which will be a hand-wound movement using a 72-hour power reserve. The skeletonization is complicated and elaborate, and effort has gone into the bridge design to make sure that the last result appears visually interesting and balanced.The bridge at 12:00, which holds the mainspring barrel, has an interesting arch-like design which matches the form of the tourbillon cage around the opposite end. The bridges come in gold and polished to a brilliant end and with lots of chamfering. The movement is visible through the sapphire crystal caseback and being a hand-wound movement signifies that the chronograph mechanism is on full view.
Three new versions are being added into the Millenary collection at SIHH following month, together with smaller cases and more sparkle than ever before. The Millenary is among three groups from Audemars Piguet that include ladies’ watches, but basically, it is by far the most female-centric of the full collections inside the brand. The Royal Oak and the Royal Oak Offshore equally have women’ variations, but they began as, and therefore are known chiefly as men’s collections. The jewelry sets are limited-edition one-offs, not created for everyday wear or pocketbooks. Gem-setting is a particular strength of the collection identifying the watches in the sportier Royal Oak and Royal Oak Offshore women’ pieces. At the same time, a partly openworked dial provides the Millenary a technical aspect — a reminder that it comes from one of the foremost makers of mechanical motions. The Millenary, last upgraded in 2015, will be refreshed with three new models at SIHH next month in Geneva, for example two all-gold versions set with diamonds and one gold case version using a strap.The case on the ring variant has a “frosted gold” finish that gives it the look of hand-finished jewelry. Frosted gold is a collaboration between Audemars Piguet and Florentine jewelry designer Carolina Bucci, using a technique known as the Florentine method. It is made employing a diamond-tipped tool to produce tiny indentations across the surface, culminating in a shimmering glow, such as snow. The end was released last year on the ladies’ Royal Oak. On the Millenary, it is applied between polished sections on the stepped bezel and lugs, as well as to regions of the case side. The signature counter tops sub-dials that record hours, minutes, and seconds are set with opal, a fresh dial material for this collection. Audemars Piguet also adds a style watch element to the strap version. It is available in a number of colors and textures, including rubber, alligator, textile, or velvet, and a selection of blue, gray, red, pink, light green, or purple.
As we already start awaiting 2018’s SIHH novelties, we thought it high time to take a better look at some of this year’s favorites, including the richly over-the-top 15202, rendered for the first time as a modern, non-limited reference completely in 18-carat yellow gold. It’s not merely the all-gold case that lends the 15202 significance though — there are a couple additional (albeit more subtle) visual cues that set this specific reference aside, and might make it even more desirable for collectors in the future. Perhaps most obvious, is the simple time and date-only dial setup, completed by the ‘AP’ logo at 6:00, which pays direct homage to the original steel 5402 published in 1972. This aesthetic also tips its hat towards the yellow gold 5402BA Jumbo released five years later — the very first time Audemars Piguet Watches Price In India Replica rendered the Jumbo inside this valuable metal.However, more notable is that the depth — the new 15202 steps a hair over 8mm, 0.2mm thicker than the original 5402, and the closest we have seen to people pioneering ultra-thin measurements since the 40th Anniversary editions from 2012 — hence the ‘Extra Thin’ naming convention. This new-but-really-old profile, coupled with all the eminently wearable 39mm case size really feels like the sweet place for the Royal Oak, and has much to do with why this iconic design was able to become such a future-proof classic at the first place.The Jumbo Royal Oak in its classic arrangement is a watch that historically, with measurements, should wear tremendously thin. But this new reference is one which still manages to jump off the wrist, thanks to its strong yellow gold case, and light-gobbling “Petite Tapisserie” tonal champagne colored waffle dial. People who are searching for a slightly more toned-down aesthetic nevertheless rendered in this precious metal will appreciate the second of the 15202’s two brand new dial variations: a gorgeous blue, which, given the spate of blue-on-bronze sports watches we have seen this year, is as much on-trend, as it is a bit less ostentatious.
The ladies’ Royal Oak marks its 40th year in 2016 with the Royal Oak Frosted Gold, giving the signature Audemars Piguet wristwatch a new surface finish for the first time.
Working with Italian jewellery designer Carolina Bucci, Audemars Piguet adopted a decorative technique from Florentine jewellery for the new Royal Oak, giving it a finely hammered surface.
Originally designed in 1976 by Jacqueline Dimier, the Royal Oak for women was an evolution of the original Royal Oak ref. 5402 designed by Gerald Genta in 1972. Compact and dainty but resolutely octagonal, the ladies’ Royal Oak is transformed with the Florentine finish.
Instead of the traditional straight grained, brushed finish applied to all flat surfaces of the watch case and bracelet, the Royal Oak Frosted Gold is treated with a diamond-tipped tool. Used to repeatedly dig into the surface of the gold, the tool creates tiny dimples, creating a textured surface that sparkles in the light.
The Florentine finish is usually found on small pieces of jewellery, often used by Carolina Bucci on her creations. Repurposing the technique for serial production of the Royal Oak Frosted Gold took several months, especially when it came to perfecting the finish of the bracelet while retaining its flexility.
The Royal Oak Frosted Gold is available in white or rose gold. Both versions are offered either as a 37mm automatic powered by the in-house calibre 3120, or a 33mm watch with a quartz movement.
Price and availability
Available starting March 2017, the Royal Oak Frosted Gold is priced as follows, in Swiss francs including Swiss tax:
White gold 37mm, ref. 15454BC.GG.1259BC.01 – SFr51,500
White gold 33mm, ref. 67653BC.GG.1263BC.01 – SFr42,500
Pink gold 37mm, ref. 15454OR.GG.1259OR.01 – SFr46,500
Pink gold 33mm, ref. 67653OR.GG.1263OR.01 -SFr37,500
Prices are subject to change.